Root Blog

Archive for August, 2008

Morton Feldman Primer – Vol 11 0

String Quartet (1979)
Morton Feldman

Benjamin Huson – first violin
Carol Zeavin – second violin
Lois Martin – viola
Joshua Gordon – cello

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Brian Eno & Laraaji – Day of Radiance 0

Ambient 3: Day of Radiance

Greg Davis played a track off this recently (I can’t remember which and it doesn’t look like the latest playlist has been posted yet) on his weekly radio show and I was reminded how much I loved the album.

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Greg’s show “All Together” runs every Thursday from 2-4pm EST on The Radiator 105.9FM WOMM-LP, Burlington VT.

Bokar Rinpoche – The Tsok Offering (Excerpt from the Songs of Immortality) 0

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Check the whole disc over @ Sub Rosa.

Root Blog Mix Vol. 6 – Danny Grody 0

1. melt! –  flying lotus
2. all the stars – nomo
3. quick as white – kasai allstars
4. okwukwe na nchekwube – celestin ukwu
5. moi ca ma fout – balla et ses balladins
6. instrumental 1 – nuta jazz band
7. sara ’70 – balla et ses balladins

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Danny Grody is a founding member of both Tarentel & The Drift. He lives in SF, drinks good beer & has FINALLY started work on his long over due solo record of acoustic guitar tunes. His mix is a perfect mid-summer burner.

Donovan – Where Ideas Come From 0

Morton Feldman Primer – Vol 10 0

Three Voices For Joan La Barbara (1982)
Morton Feldman

Opening
Legato
Slow Waltz
First Words
Whisper
Chords
A Non Accented Legato
Snow Falls
Legato
Slow Waltz and Ending

Joan La Barbara: Voice

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David Behrman – On The Other Ocean 2

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“On the Other Ocean is an improvisation by Maggi Payne and Arthur Stidfole centered around six pitches which, when they are played, activate electronic pitch-sensing circuits connected to the “interrupt” line and input ports of a microcomputer, Kim-1. The microcomputer can sense the order and timing in which the six pitches are played and can react by sending harmony-changing messages to two handmade music synthesizers. The relationship between the two musicians and the computer is an interactive one, with the computer changing the electronically-produced harmonies in response to what the musicians play, and the musicians influenced in their improvising by what the computer does.”

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